Met Art Koika

"This is not an absolutely correct title, for I began collecting before I was sixteen and I am now over sixty and I am still collecting, but it will serve". Thus begins Louisine W. Havemeyer's memoir, a rare Gilded Age testimonial on forming one of America's greatest art collections. And it was as a teenager in Paris in 1874 that she met the thirty-year-old artist Mary Cassatt who would lead her to Degas's Ballet Rehearsal in a shop window. By the time she was twenty-two she had also acquired works by Pissarro and Monet. She was very probably the first American to collect the work of these three artists. After her marriage to the "sugar king", H. O. Havemeyer, they collected Asian art in quantity and Old Master and Barbizon paintings. In the 1890s, they would return to Mrs. Havemeyer's initial enthusiasm: modern French painting. They formed major collections of the works of Corot, Courbet, Manet, Degas, and Monet. Mrs. Havemeyer also describes their passion for El Greco and Goya. She relates her encounters with fellow collectors such as Henry Clay Frick, Charles Lang Freer, and Isabella Stewart Gardner; as well as her dealings with art dealers such as Paul Durand-Ruel and Ambroise Vollard. "Museums have histories of their own, but how little is known of the making of private collections". And so Mrs. Havemeyer "...jot(ted) down the interesting stories... concerning the purchase of this picture or that object, to relate the rare remarks of the celebrated painters (she) met, to record the curious circumstances attending the purchase of some unusual work of art, to keep for the following generations... valuable information for art collectors". And for all readers interested inconnoisseurship, nineteenth-century art, and the cultural education of America.

Ever since they met at St. Martin's School of Art in London in 1967, Gilbert & George have worked exclusively together, turning their life into their work, themselves into art. More than thirty-five years later, their large, colorful, multipanel pictures--in which they appear either clothed in their trademark matching suits or completely naked--are instantly recognizable. Celebrated the world over, their work has been the subject of major exhibitions throughout the United States, Europe, and Asia, and it continues to exert an immense influence on generations of younger artists. Eminent art historian, critic, and close friend of the artists Robert Rosenblum looks back at a lifetime of work that has amused and shocked, but has always sought to address the fundamental concerns and issues of modern society: alcoholism, sex, fear, racial tension, religion, violence, unemployment, and corruption. He considers how in their sculptures, photographic works, drawings, and performance pieces, Gilbert & George have continually shown themselves to be humorous and subversive commentators in the tradition of England's finest socially engaged artists, and he discusses the enduring appeal and impact of their art. Some of the pair's most important works, from the "Singing Sculptures" of the late 1960s to their very latest brightly colored pictures, illustrate Rosenblum's perceptive text, while quotes and statements from the artists provide a fascinating insight into their lives, works, and personalities. Gilbert & George's is a democratic art: they want to make art for everyone and not just an elitist art world. This entertaining book is the perfect introduction to their work.

Motorhome (band) - Motorhome was formed in the early 1990's by Josiah Mazzaschi after he moved from Boston to Chicago to attend the School of the Art Institute of Chicago. Josiah met Kristen Thiele at art school.

Glass Veal Group - Glass Veal Group were a surrealist art group founded in Tuscaloosa, Alabama which later continued in Birmingham. The group met to partake in a wide array of art forms including visual (automatic writing, painting, and drawing) and audial (surrealist poetry and theatre).

Beaver Hall Group - The Beaver Hall Group was a Montreal based assemblage of Canadian painters formed in May of 1920 by artists who had met while studying art at a school run by Art Association of Montreal .

Art for art's sake - "Art for art's sake" is the usual English rendition of a French slogan, 'l'art pour l'art', which is credited to Théophile Gautier (1811–1872).

metartkoika

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